Poppins पोप्पिंस

A modern minamalist typeface by Ninad Kale and Johnny Pinhorn

Poppins is

cool. sleek. modern. beautiful. amazing.

CHARACTERS

Pp

Latin

A​‌B​‌C​‌Ć​‌Č​‌D​‌Đ​‌E​‌F​‌G​‌H​‌I​‌J​‌K​‌L​‌M​‌N​‌O​‌P​‌Q​‌R​‌S​‌Š​‌T​‌U​‌V​‌W​‌X​‌Y​‌Z
a​‌b​‌c​‌č​‌ć​‌d​‌đ​‌e​‌f​‌g​‌h​‌i​‌j​‌k​‌l​‌m​‌n​‌o​‌p​‌q​‌r​‌s​‌š​‌t​‌u​‌v​‌w​‌x​‌y​‌z​‌ž
1​‌2​‌3​‌4​‌5​‌6​‌7​‌8​‌9​‌0

Devanagari

पीपी

आ​‌ई​‌ऊ​‌ऋ​‌ॠ​‌ऌ​‌ॡ​‌ऐ​‌औ​‌अं​‌अँ​‌क​‌ख​‌ग​‌घ​‌ङ​‌च​‌छ​‌ज​‌
झ​‌ञ​‌ट​‌ठ​‌ड​‌ढ​‌ण​‌त​‌थ​‌द​‌ध​‌न​‌प​‌फ​‌ब​‌भ​‌य​‌र​‌व​‌ळ​‌श​‌ष​‌स​‌ह

STYLES

USAGE

The spectacle before us was indeed sublime.

Apparently we had reached a great height in the atmosphere, for the sky was a dead black, and the stars had ceased to twinkle. By the same illusion which lifts the horizon of the sea to the level of the spectator on a hillside, the sable cloud beneath was dished out, and the car seemed to float in the middle of an immense dark sphere, whose upper half was strewn with silver. Looking down into the dark gulf below, I could see a ruddy light streaming through a rift in the clouds.

हमारे सामने तमाशा वास्तव में उत्कृष्ट था। जाहिर है हम वायुमंडल में एक महान ऊंचाई तक पहुंच गए, क्योंकि आकाश एक काला काला था, और सितारों को चमकते रहना बंद हो गया था। एक ही भ्रम से जो समुद्र के क्षितिज को पहाड़ी पर एक दर्शक के स्तर तक ले जाता है, नीचे बादलों को ढंक कर दिया गया था, और एक विशाल अंधेरे क्षेत्र के बीच में कार लगती थी, जिसका ऊपरी आधा खड़ा था चांदी। नीचे अंधेरे खाड़ी में नीचे देख, मैं बादलों में एक दरार के माध्यम से एक सुर्ख प्रकाश स्ट्रीमिंग देख सकता था

HISTORY

Indian Type Foundry (ITF) creates retail and custom multilingual fonts for print and digital media. Started in 2009 by Satya Rajpurohit and Peter Bil’ak, ITF works with designers from across the world. ITF fonts are used by clients ranging from tech giants like Apple, Google, and Sony, to various international brands.

Many of the Latin glyphs (such as the ampersand) are more constructed and rationalist than is typical. The Devanagari design is particularly new, and is the first ever Devanagari typeface with a range of weights in this genre. Just like the Latin, the Devanagari is based on pure geometry, particularly circles.

Each letterform is nearly monolinear, with optical corrections applied to stroke joints where necessary to maintain an even typographic color. The Devanagari base character height and the Latin ascender height are equal; Latin capital letters are shorter than the Devanagari characters, and the Latin x-height is set rather high.

The Devanagari is designed by Ninad Kale. The Latin is by Jonny Pinhorn.

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